Showing posts with label Samy Naceri. Show all posts
Showing posts with label Samy Naceri. Show all posts
Sunday, March 7, 2021

Redemption Day (2021)

Redemption Day (2021)

Tagline:

Fight for love. Fight for life. Fight for redemption.

Review:

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U.S. Marine Captain Brad Paxton (Gary Dourdan) suffers from PTSD caused by a mission in Syria that went bad. Struggling to return to normality, his home life is uprooted when archaeologist wife Kate goes on a dig near the Morocco-Algeria border and is kidnapped by ISIS-aligned Algerian terrorists led by Jaafar El Hadi (Samy Naceri). Bypassing the bureaucracy and Federal policies, Brad sets upon a mission into enemy territory to rescue his wife and at the same time find himself some redemption.

Let’s set expectations up front. This is not a 90 minute roller-coaster action shoot-em-up. Outside the final act, this is an intentionally paced, tense build up with little direct action for most its running time. But don’t change channels just yet, because this is no bad thing. I wouldn’t go so far as to say this was a slow burn, but it is definitely in no hurry to get to the conclusion.

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When we do get the action it’s well executed, if sporadic, military versus insurgents battle tactics. Brad gets to shine as he dispatches terrorists with total precision, be it up close with a side-arm or from a balcony with a sniper rifle. Accompanied by his Moroccan counterpart Younnes (Brice Bexter), the one-two punch in the final siege on the terrorist compound has some heart-racing moments. Headshots are bloody and not obviously CG (muzzle fire isn’t fake either). The dark tone of the film means we get some gritty closeup killings with blades as well.

So how is Gary Dourdan? Now I’ve never seen any of the series CSI: Crime Scene Investigation but apparently he was a leading character in that for eight years. What I have seen him in was Alien: Resurrection, a long time ago and looking much younger with dreadlocks, but in Redemption Day he was pretty authentic. When faced with the reality of the situation and what he must do, his character of Brad Paxton battles his own demons to rescue his wife Kate (played believably by Serinda Swan) with blazing accuracy and attention. He definitely felt like a military Captain who had seen some shit, and was laser-focused on the job. Being that the mission is not sanctioned, Brad is doing this for – as the tagline says – love. There’s a little bit of a “Taken” vibe to his portrayal which explains why he never smiles.

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Let’s talk Samy Naceri as terrorist leader Jaafar El Hadi. We last saw Samy many years ago in the French language comedy-action film Taxi, and boy is he different here. I don’t think I would have recognised him if his name wasn’t on the cover. I really liked his take on an ISIS commander. Had just the right amount of “manic” without going overboard, though he was ruthless when needed – takes out more than one of his own for being incompetent. I like that in a terrorist. He has a far more manic first officer who is like a rabid guard dog, spitting foam and quickly turning to anger and violence. I like that too.

Now, Ernie Hudson is not the kind of minor character role I would expect in a film like this, but I’ll take any Ernie over no Ernie. When it comes down to it however, he has two scenes – helping Brad Paxton face his traumas in the boxing ring, and helping Brad Paxton by taking care of his daughter in his absence. They aren’t momentous scenes but Ernie’s role as Brad’s father is meant to provide a calming Ying to Brad’s tortured Yang, which works to some degree but really, we could have used more Ernie. We did however get a reasonable amount of screen time from Andy Garcia as the Ambassador, though his role as Cuban-cigar smoking facilitator doesn’t really leave much to write about.

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There are some parts of the film that take the shine off a little; the first I might put down to poor subtitles. In a prayer scene with the terrorists, El Hadi speaks and the translation on screen is “(praising God in bad Arabic language”). There is no comedy in this film, let alone this scene, so not sure what the intentions were here but it comes off pretty rough. Maybe it was to do with his French-Algerian accent, I don’t know, but I did rewind it to check that I read it correctly.

Robert Knepper is one of those “that guy” types, apparently in the IMDB top 5000 with 142 acting credits including Transporter 3 and Hitman. He has a brief role as an Oil Tycoon that has a lot more to do with the plot than might initially be presumed, though I’ve got to say his scene was pretty damn hammy. Very Colonel Sanders Texan white suit with a wide hat and gold tipped walking cane. My oh my. This felt like an after-credits sequence rather than part of the main film. Voltage Pictures, your Seagal is showing.

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The other main thing that sticks out like a sore thumb is the brief scene with the President and the other members of the White House over video conference with the ambassadors. The acting skills drop drastically when the Executive speak, the worst coming from The President – played by Jay Footlik. According to IMDB, this guy has had a couple of minor roles spanning back to Teen Wolf but was in fact a White House advisor to President Clinton. Not sure how he ended up in the film but the quality of that scene really took me out of the moment. The final CG shot of helicopters flying over the ocean was also pretty bad, which was quite unexpected given how good the long-shots of military vehicles in the Morocco landscape were looking earlier.

Overall I dug Redemption Day. It’s not without its problems, and if you want wall to wall shootouts you came to the wrong party, but its heart was in the right place and the execution – for the most part – was well articulated and often gripping. A solid full length feature directing debut for Hicham Haji.

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Trailer:

Sunday, June 6, 2010

Taxi (1998)

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Back of DVD:

Former pizza delivery guy Daniel is speed crazy. Embarking on a new career as a taxi driver, his specially modified car is so fast even police radar can't spot him!

When he unwittingly gives a high-speed ride to police officer Emilien, he is forced to accept a deal to keep his license: a stint as Emilien's personal police car driver. Now on the other side of the law, Daniel becomes the unlikely mastermind behind an investigation into a gang of German bank robbers.

Aided by his girlfriend, Emilien's mother and a whole squad of pizza delivery boys Daniel and Emilien join forces with hilarious consequences to foil the robbers on foot, on scooters, and of course in TAXIs.

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Movie Review:

Luc Besson writes and produces great movies, not B-movies. The Fifth Element, La Femme Nikita, Leon the Professional - all his. He didn't direct this (he doesn't actually have many directions under his belt), but he did write it and gets the coveted 'presented by' title that Quentin Tarantino slaps on half the movies out there. It has similarities to his other stuff, like Banlieue 13 (District 13) and The Transporter series in that it is fast paced and prides itself on using the French urban landscapes to full effect. It also has the usual quirky trendy-French-cafe soundtrack that Besson uses so well.

Taxi is about a former pizza delivery driver Daniel (Samy Naceri) that chucks it all in to go work for himself as a cab driver. On the first day that he gets his licence he lands a customer that is in an urgent hurry to get to the airport. If he makes it in time for the flight, the reward will be great. After telling his customer to buckle his seatbelt, Daniel flicks down an array of switches from his dash and proceeds to convert his car, James Bond style, into a racer. The car grows a rear wing, lowers closer to the ground and speeds off through the streets, beginning one of the first awesome car race/chase scenes in the movie. Dodging traffic at super speeds Daniel gets his customer to the airport who upon exiting the cab throws up everywhere. Job well done, and off home to girlfriend Lilly (played by the stunning Marion Cotillard, who was recently in Public Enemies) who re-appears a few times and acts as Daniel's calming influence.

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A cop trying to prove his worth, Emilien (Frederic Diefenthal), is on a stakeout. He and his team know a bank robbery is about to take place and they patiently wait for the suspects to make their move. At the same time the Minister arrives with his entourage. The robbers flee the bank and open fire on the cops who retaliate, but the Minister's people take this as an attack on him and also open fire - on the cops. In the hilarious chaos the robbers escape and Emilien has a lot of explaining to do.

Did I mention this was also a comedy? It has a few great shootouts and some spectacular city racing but there are plenty of laughs, many of them subtle and in the scenery. At one point Emilien is in his office in nothing but a towel and then tries to grope his co-worker that he is infatuated with, getting slapped in the process. Another scene is based on Emilien burning down his house by leaving the kettle on, and even that is hilarious. Daniels distaste for cops is also amusing. He knows exactly where the speed traps are in the city and speeds past them while giving the finger to the waiting cops. He ends up with Emilien as his next customer, who pretends to be an IT professional, and who witnesses first hand Daniel doing what he does best. After nearly crashing more than once they arrive at the destination, the police office, and Emilien reveals who he is and arrests Daniel. D'oh.

Cutting Daniel a deal, Emilien offers him the role as a temporary undercover cop due to his exemplary driving skills. Emilien needs help in breaking the case of the bank robbers - a gang of Germans known as The Mercedes (they drive, well, Mercedes cars) - so the two pair up for a stakeout, followed by an interrogation that ends in another hysterical, inept shootout (Emilien is obviously better suited as a desk-cop).

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Samy Naceri and Frederic Diefenthal work together well and continue to star in this movie's three sequels. They have a similar on-screen relationship to that of B:13's Cyril Raffaelli and David Belle, even playing similar loveable street-wise rogue and by-the-books officer of the law roles. They work together to attempt to foil the bank robbers on two more occasions, ultimately ending in an awesomely crafted booby-trap plan hatched by Daniel and aided by his former pizza delivery associates.

This is a relatively early Besson piece, before both B:13 and The Transporter, though his most well known movies were already in his past (The Fifth Element was only the year before Taxi). You can see in hindsight the traits that went on to influence those movies, though they were all on a much grander scale. For the pure action fans, the fast-pace, numerous car pile ups and shootouts and short 86 minute length will please, though there is more to get out of the movie than just action.

There are four Taxi movies in the series now, and an unfortunate American remake that Besson also penned, starring... Queen Latifah? As the taxi driver? For god's sake they couldn't have miscast that any worse if they tried. Stick to original, and I will review sequels in the future!

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The Video:

Whilst the picture is clean and crisp and the stereo French audio pretty damn good, this DVD commits a major sin. The film is presented in its correct scope aspect ratio, however as the DVD is not 16:9 enhanced there are black bars on the top AND sides of the picture. What's more is that I couldn't even use my DVD players zoom to fill the screen as the English subtitles were BURNT IN to the picture, in the non-picture area. Gah! An annoyance to an otherwise excellent movie.

Sourced From:

$3 + Shipping from eBay from a UK seller.

Trailer:

More Screens:

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