Showing posts with label Sam Elliot. Show all posts
Showing posts with label Sam Elliot. Show all posts
Sunday, August 21, 2011

Dog Watch (1996)

Dog watch poster

Tagline:

Sometimes trouble wears a badge.

Movie Review:

Dog Watch 1

Here we are with another Nu Image cop movie. I was kind of expecting another One Man Force after reading the back of the DVD cover - "a tough cop who packs a wallop in this no-holds-barred police thriller" - but what I got was very different. That's not to say it was bad - Dog Watch is quite a decent watch - but it's certainly not Explosive Action. In hindsight though, I should have realised what this was by the use of the word "thriller" - the marketing term for "slow and methodical" and anything but Explosive Action. There's still enough cop-shoot-drug-runners and roughing up snitches to keep the pure action fan interested for the most part.

Sam Elliot plays Charlie Falon an aging, drunken, racist and sexist cop who has seen a lot in his time and that makes him cynical and angry. The last time I saw Sam Elliot he was also playing a rough cop in my first review of Shakedown with Peter Weller. He's far more rough in Dog Watch than he was in that movie and unlike Shakedown there aren't many laughs to be had here. After a night drinking with his partner at a strip club (of course), Falon readies himself to go home. When he goes to find where his partner has gone to in the back alley he finds him dead on the ground being, what he presumes, attacked by another man. In a drunken rage, Falon beats the man to death and dumps the body in the river.

Dog Watch 2

A lot of Dog Watch is classic good cop/bad cop police procedural. Once paired with his new partner Murrow (Esai Morales) the two are assigned to the case of finding out who dumped the body in the river. As the movie progresses, Murrow becomes more and more suspicious of Falon. At the same time Falon investigates who the guy he killed was and why he had killed his partner. What Falon discovers is that the man was an undercover cop and didn't kill his partner at all. Not only that, but the corruption in his precinct is what actually lead to the death of his former partner.

There was a definite noir tone to this film. The moody saxophone music rarely let up, the city was always in darkness and some shots, like the final monologue delivered by Esai Morales to the camera which then pans on a longshot to the cityscape, belong in a crime movie from the 40's. It was an interesting way to construct the film and once I had gotten over the fact that I wasn't going to get any exploding cars it was all the more intriguing. I genuinely wanted to see how the ending would play out.

Dog Watch 3

Esai Morales was pretty good as the new partner cop. He was less wet behind the ears than most "...and here's your new partner, Detective Jimmy", "Boss I don't want a new partner!" relationships. Because of the lack of humour in Dog Watch, the straight-laced performance gave him more credibility and wasn't the butt of Falon's jokes. We are also introduced to his fiance whom Falon is rude to over the dinner table. The Captain, traditionally the hard-arse of the police procedural, is the only one that provides any humour to the proceedings. He's overly large, forgetful and shouty, often going on rambling tangents about food and such. Also look out for Dan Lauria (the dad from The Wonder Years) as a detective working the same case as Falon and Murrow who may not be all he seems.

I didn't really like how the producers had to emphasise Falon's racism in the early moments of the movie ("One day you'll come home and find a Jap in your house telling you to get out!") but I guess it adds to the duality of the character. On one hand he is caring and has a lot of love for his former parter; so much so that he lashes out in the lockers and showers in a fit of rage. On the other hand he thinks women should stay in the kitchen and that presenting take-away food to a guest is an insult. Overall it makes it kind of hard to like the character, but perhaps that was the intention.

Dog Watch 4

The Video:

Solid, full screen picture. Sound is a little quiet at times but nothing that isn't solvable with a little extra volume. Runtime 95 minutes.

Sourced From:

Ninth Dimension R4 disc for $2 online. It's deleted so you may need to hunt around a bit.

Trailer:

More Screens:

Dog Watch 5

Dog Watch 6

Dog Watch 7

Dog Watch 8

Dog Watch 9

Dog Watch 10

Dog Watch 11

Dog Watch 12

Dog Watch 13

Dog Watch 14

Dog Watch 15

Dog Watch 16

Dog Watch 17

Thursday, May 27, 2010

Shakedown (1988)


Tagline:
Whatever you do... don't call the cops!

Back of DVD:
Peter Weller and Sam Elliot blast their way through the underbelly of New York as they team up to get to the bottom of a police corruption scandal in this action thriller.

When a local drug dealer shoots a dishonest cop in self-defence, lawyer Roland Dalton (Weller) and renegade undercover cop Richie Marks (Elliot) join forces to clear him. But when their investigation leads them into a maze of greed and corruption, they learn that in town where everything is for sale, anything can happen. This pulse-pounding adventure features some of the most incredible stunt work and action sequences ever shot.


Movie Review:
Thanks to my friend Matt over at the Direct to Video Connoisseur I have recently found a new love for direct-to-video, shot-for-tv and otherwise little known movies, particularly of the bad action variety. With that in mind I decided to do my own take on these movies, and today I start with Peter Weller's "Shakedown".

Also known by the name "Blue Jean Cop", this late-80's action flick hit pretty much all the right buttons. Part buddy-cop movie (but replace one cop with a lawyer) and part police procedural, this movie had me hooked form the funky Faith No More style intro song.

A drug dealer is approached in a dark alley by a man in regular clothes wanting to buy drugs. The next thing we see is the two men laying on the ground, shot, being attended to by the police. The dealer survived but what he did not know was that the other guy who did not survive was a plain-clothes cop.


Cut to Peter Weller in his kitchen rocking out to Jimmi Hendrix and mixing the worst looking breakfast shake I have ever seen; the only worse thing in this scene is his tie, which his fiance also notices. Weller then goes to have coffee with the wise-cracking doctor from Scrubs (and one of the Bob's from Office Space) and, hilariously, the technician from Robocop 2 who worked on repairing Robocop (played also by Weller) and plays the prosecution lawyer in this movie. As soon as their eyes meet you can tell that there was a history, and that most likely we will see some action from these two. He even pulls out the "what am I, chopped liver?" line. Weller gets told about the case and goes to find his buddy Sam Elliot, a renegade undercover cop.

I loved the next scene for a few reasons. Elliot is asleep in a 42nd street theatre watching a bad action movie. We only see a small part of it, a guy on skis who spins mid air and fires his automatic machine guns at his pursuer. If this is a real movie, I have to see it. Weller catches up with Elliot in the bathroom (nothing kinky), buys him a hotdog (not from the bathroom) and gets a tip on the case to check out the dead cops house. Weller pulls a great line with "I don't wanna fuck with anybody, I just wanna dance." As they leave the cinema you can see posters of The Soldier and The Exterminator and the cinema sign indicates it is also playing Nightmare on Elm Street 3 and The Hidden. A great year.


Elliot and his cop buddies bust an illegal club and we see some good old fashion police brutality with one cop getting too enthusiastic with a tazer. It's clear Elliot is the only one who disapproves and we get our first sign that there are more bad cops involved in this story than just the dead one.

There is some great action in this film. Elliot jumps out a fourth story window and onto a signpost that falls to the ground with him clinging onto it, destroying a car in the process. He and Weller steal a motorbike and chase after a guy in a police car, who ultimately ends up crashing over a bridge and blowing up. We also get a shootout at a fairground (just like in Passenger 57) and a car chase under a jet taking off (also like Passenger 57). The thing is though, that Passenger 57 came out four years after this. Did Shakedown really have that much influence? A taxi chase through the city, an illegal interrogation of Weller by the bad cops complete with a russian roulette scene; it just keeps getting better.

There is also the side story of Weller double-timing his fiance with the technician from Robocop 2. At one point after doing the deed with her he goes home and crawls into bed with his fiance. Very sly, Weller, very sly.

This movie comes highly recommended. It wraps up all the loose ends and definitely deserves to be better known than it currently is. It's not hard to find on Amazon.com or eBay and goes quite cheap so take my word for it and check out Shakedown.


The DVD:
I reviewed the R1 dvd by Universal. It was presented in OAR 16:9 widescreen and was visually and aurally a very pleasant experience. The picture was sharp and the explosions were loud. Avoid the R4 release under the title "Blue Jean Cop" as it is NOT OAR widescreen. Runtime 97 minutes.

Sourced from:
eBay for AU$3.00 + shipping from USA


Trailer:


More screens: